Victoria Olt

Victoria Olt is a traditional artist whose ethereal paintings blend classical realism with the vibrant colours of contemporary art.
Employing mixed mediums, Victoria creates windows into the human soul, exposing all the endlessly complicated emotions we try our best to hide. They offer solace to whoever needs it, and help find a sense of belonging in an otherwise perplexing universe.
Her works are shown in various galleries and held in private collections all around the world.
She was born and spent her childhood in Estonia then moved to Spain where studied fine arts in the University of Seville, she also worked in Madrid and Amsterdam for a period before making her way to Nevis. Where she learned to make her own paint, which allowed her more control of the mediums she works in.
In 2021 she returned to Estonia, after 10 years abroad, to start her gallery.
Victoria Olt
34 × 49 cm, framed to be 42 × 52 cm.
Cyanotype on paper, Edition 2/4
Victoria Olt
34 × 49 cm, framed to be 42 × 52 cm.
Cyanotype on paper, Edition 2/4
Victoria Olt
Watercolor on paper
55 x 75 cm + frame included for free in shipments within Estonia
2018
Doubts are
the worst
kind of distance
- David Xam
Watercolor on paper
29,7 x 42 cm + frame included for free in shipments within Estonia
2017
_____
There is love that fades away
with time and then there is love
that time fades into
-David Xam
Watercolor on paper
37 x 58 cm + frame included for free in shipments within Estonia
2018
_____
“Poorly written”
Our story was just that,
We were anecdotes,
just parts of a story,
we never meant to be
complete
-David Xam
Victoria Olt, 2019
Watercolour and mixed media on paper
11.7 x 16.5 in
29,7 x 42 cm (A3) + frame included for free in shipments within Estonia
Now we suffer,
not of life but out of habit
-David Xam
2023
Acrylic and ink on canvas.
47.2 x 47.2 in
120 x 120 cm
Victoria Olt
Watercolor on paper
50 x 70 cm + frame included for free in shipments within Estonia
2018
”people”
These masks they’ve put on,
To hide the underlying monsters,
I’ll grow used to their changing faces,
I guess, even the moon changes colors
- David Xam
Pink Is the Strongest Color for It Is the Mix of Blood and Sweat
Victoria Olt
Acrylic on canvas
60×80cm
2025
Throughout history, pink has often been used military buildings not for softness, but for power. Far from delicate, pink embodies resilience—the mix of blood and sweat. It is the color of sacrifice and perseverance.
Blood and sweat are also both great symbols of femininity, the blood of menstruation and of childbirth, and the sweat shed through generations of unseen, unpaid domestic labor, speak to a different kind of strength—enduring, life-giving, and often overlooked.
Victoria Olt
Watercolor on paper
50 x 70 cm + frame included for free in shipments within Estonia
2018
we are fighting battles we lost long back
- David Xam
Watercolor on paper
29,7 x 42 cm + frame included for free in shipments within Estonia
2019
_____
You’ve been painted in this dark colour of dream somewhere in the back of my head.
It’s all the colors I have.
-David Xam
2023
Handmade acrylic watercolor, on canvas.
39 x 47 in
100 x 120 cm
2023
Acrylic, ink and embroidery on canvas.
27.5 x 39 in
70 x 100 cm
2020
Gouache and handmade watercolor on paper.
18 x 24 in
46 x 61 cm + frame included for free in shipments within Estonia
} Enlil & Ninlil {
The Ancient Sumerian story story starts when Ninlil decides to go to bathe in the river, her mother forbids her to as she doesn’t want her daughter to go alone, but she goes anyway. There she meets the God Enlil, who rapes her. When Ninlil returns home the next morning pregnant, her mother is furious and Enlil is banished to the underworld. But Ninlil misses Enlil and pursues him to the underworld. They make up and decide to stay together and she soon gives birth to Nanna, who is as beautiful as the sun but colder. When she grows up she becomes the goddess of the moon. This story represents the life cycle of crops, from pollination to their withering and eventual return to earth. This story is also considered a coming of age tale.
“The exhibition “Lost Gods” is another step in my quest for meaning, where, after finding no solace in current popular religion, I turn my gaze towards the past, to see what can be learned there. And what I’ve found is that a lot of the issues our ancestors struggled with, are the same issues we have yet to resolve today. We still live at the whim of fate, however you define it. But our ancestors still have fascinating things to say about the human condition, and we would be wise to learn from them.”
-Victoria
2020
Handmade watercolor on paper.
12 x 16 in
31 x 41 cm + frame included for free in shipments within Estonia
} Amaterasu {
Is a Shintō deity, a celestial Sun Goddess. The Japanese royal family claim they are descendants from her. She was born from Izanagi's ("He who invites") left eye, who also set her to rule Takamagahara (the “High Celestial Plain”), where all the Gods lived.
At one time, her brother Susanowo played a cruel trick on her and she went into hiding in the cave of heaven and refused to come out. The world became dark, allowing evil spirits to roam across the land. All the Gods came together to try and lure Amaterasu out of the cave and they tried many different things but nothing worked. They then placed a great big mirror in front of the cave and started having a loud, jolly party. It was only when the Goddess of laughter began to dance did the Sun Goddess have a peek. Once she saw her own reflection in the mirror, she became so fascinated that she came out of the cave and covered the world in light once again.
2022
Handmade acrylic watercolor, on canvas.
47 x 59 in
120 x 150 cm
2020
Handmade watercolor on paper.
15 x 22 in
38 x 56,5 cm + frame included for free in shipments within Estonia
} Osiris {
Was the God of fertility, agriculture, the afterlife, the dead and resurrection. He was the first God to die, when his brother Set tore him to pieces. However he was brought back to life by Isis (goddess of motherhood, magic, fertility, death, healing, and rebirth), who wrapped him in linen and breathed new life into him. Because of this he is also the first mummy. Osiris and Isis conceived Horus, after which Osiris returned to rule and act as judge in the Underworld. It was also believed that pharaoh became a manifestation of Osiris after death, while a living king was identified with Horus.
2023
Acrylic, and silver leaf on canvas.
27.5 x 39 in
70 x 100 cm
2020
Handmade watercolor on paper.
4.7 x 17.7 in
30,5 x 45 cm + frame included for free in shipments within Estonia
} Adonis {
Aphrodite cursed Myrrha to fall in love with her father, the king of Syria. Myrrha tricked her father to conceive Adonis and when his father found out, he tried to kill both himself and Myrrha. Myrrha pleaded with the Gods and in their mercy, Myrrha was turned into a Myrrh tree. In this tree-form she gave birth to Adonis.
Adonis possessed exceptional beauty, so much so that Aphrodite fell in love with him. She took him under her protection and tasked Persephone to raise him. As he grew more handsome, Persephone also fell in love with Adonis and refused to return him to Aphrodite. Zeus had to step in to settle the dispute and it was agreed that Adonis would spend 1/3 of the year with Aphrodite, another 1/3 with Persephone and the rest of the year he could spend with whomever he wished.
Ares became jealous over Aphrodite and sent a wild boar to kill Adonis. Adonis bled to death in Aphrodite’s arms and as she cried Anemone grew from her tears.
The Moirai are three goddesses from ancient greek mythology who determine human destiny: Clotho (spinner), Lachesis (allotter) and Atropos (unturnable).
Victoria Olt, 2021
Acrylic and handmade watercolour on Canvas
78 x 78 x 1.5 in
100 x 100 x 4 cm
2021
Handmade watercolour on paper
18 x 24 in
46 x 61 cm + frame included for free in shipments within Estonia
2021
Handmade watercolour on paper
18 x 24 in
46 x 61 cm + frame included for free in shipments within Estonia
2021
Handmade watercolour on paper
18 x 24 in
46 x 61 cm + frame included for free in shipments within Estonia
Victoria Olt
34 × 49 cm, framed to be 42 × 52 cm.
Cyanotype on paper, Edition 4/4